religious painting - ορισμός. Τι είναι το religious painting
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  3. religious painting

Τι (ποιος) είναι religious painting - ορισμός

ART THAT IS RELIGIOUS IN THEME
Ecclesiastical Art; Art, Ecclesiastical; Ecclesiastical art; Spiritual Art; Sacred art; Devotional art; Religious painting
  • Mandaean]] manuscript art featuring [[Abatur]] at the scales, from the ''[[Scroll of Abatur]]''
  • The Book of Odes]], a collection of poetry complied by Confucius. This image is a section of the scroll of an unidentified artist from the 13th century, and it narrates the poem about rural living.
  • Alhambra Palace]] depicting images of intricate circle divisions and geometry
  • The [[Ardabil Carpet]], a [[Persian carpet]], [[Tabriz]], mid-16th century, depicts floral gardens shaped in a manner that reflects the Islamic symbolism of paradise.
  • Madonna]] with an Angel, painted by [[Sandro Botticelli]] (1470) and commissioned by the [[Catholic Church]] during the [[Renaissance]] in [[Florence]] (Boston, Isabella Stewart Gardner Museum)
  • Four designs depicting the symbols of oneness and unity throughout the circles partition into each woven and detailed section.
  • A specimen of Islamic sacred art: in the [[Great Mosque of Kairouan]] in [[Tunisia]], the upper part of the ''mihrab'' (prayer niche) is decorated with 9th-century lusterware tiles and painted intertwined vegetal motifs.
  • Shrine of Shah Nematollah Vali, Iran]] showing the repetitive patterns in an identical Mosque from another country.
  • Buddha statue in Sri Lanka.
  • An example of Tibetan Buddhist art: Thangka Depicting [[Vajrabhairava]], c. 1740
  • Virgin and Child. Wall painting from the early [[catacombs]], Rome, 4th century.

Religious art         
Religious art is artistic imagery using religious inspiration and motifs and is often intended to uplift the mind to the spiritual. Sacred art involves the ritual and cultic practices and practical and operative aspects of the path of the spiritual realization within the artist's religious tradition.
https://en.wikipedia.org/wiki/Religious_art
Word painting         
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MUSICAL TECHNIQUE OF WRITING MUSIC THAT REFLECTS THE LITERAL MEANING OF A SONG
Tone painting; Word-painting; Madrigalism; Text-painting; Text painting; Wordpainting
Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music.
https://en.wikipedia.org/wiki/Word_painting
Rajput painting         
  • Kota]], c. 1660. Private collection.
  • Mewar]], 1605. [[Los Angeles County Museum of Art]].
  • Kishangarh]], c. 1750. National Museum, New Delhi.
  • ''A King converses'', Folio from the ''[[Kalpa Sūtra]]'' and ''[[Kalakacharya Katha]]''. [[Gujarat]], 1411. [[Arthur M. Sackler Gallery]].
  • ''Umed Singh of Bundi with his Sons''. Bundi, c. 1765. [[Yale University Art Gallery]].
  • Kangra]], c. 1780–1790. [[Philadelphia Museum of Art]].
  • ''The accession of [[Shah Jahan]]'' by [[Bichitr]], part of the Windsor [[Padshahnama]]. Circa 1628. [[Royal Collection]].
  • ''Brijnathji and Durjan Sal sight a pride of lions'', attributed to anonymous painter assisted by [[Shaykh Taju]]. Kota, 1730–1735. [[Rao Madho Singh Trust Museum]].
  • ''Chanda talking to a Friend'', Folio from a [[Chandayana]]. Probably Delhi – Jaunpur belt, c. 1525–1575. [[Chhatrapati Shivaji Maharaj Vastu Sangrahalaya]].
  • Guler]], c. 1730. Los Angeles County Museum of Art.
  • Nurpur]], c. 1660–70. [[San Diego Museum of Art]].
  • p=481}} [[Williams College Museum of Art]].
  • Kangra]], c. 1800–1815. [[Government Museum and Art Gallery, Chandigarh]].
  • Mandi]], c. 1650. Private collection.
  • ''Krishna Fluting in the Forest''. [[Jaipur]], c. 1720–1740. [[Harvard Art Museums]].
  • ''[[Krishna]] defeats [[Trinavarta]]'', folio from the "Dispersed" [[Bhagavata Purana]]. North India, c. 1520. [[Freer Gallery of Art]].
  • Bikaner]], 1675. [[Kronos Collections]].
  • ''Head of Krishna: cartoon for a mural of the Raslila'' by [[Sahibram]]. Jaipur, c. 1800. Metropolitan Museum of Art.
  • p=42}} Bikaner, c. 1870. Metropolitan Museum of Art.
  • ''Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar'', attributed to [[Stipple Master]]. [[Udaipur]], c. 1707–8. [[Metropolitan Museum of Art]].
  • Jiva]]. Mewar, 1749. San Diego Museum of Art.
  • p=524}}
  • p=219}} Kota, 1844. [[National Gallery of Victoria]].
  • Abu'l-Hasan]], Folio from the [[St. Petersburg Album]]. Agra, c. 1610–18. [[Institute of Oriental Manuscripts of the Russian Academy of Sciences]].
  • Nawalgarh]], an example of [[Shekhawati painting]]
  • Mohanlal]] with His Camera. Udaipur, c. 1875. The City Palace Museum, Udaipur.
  • Basohli]], c. 1707–1715. [[Art Gallery of New South Wales]].
  • ''Raja Ajmat Dev''. Mankot, c. 1730. [[Victoria and Albert Museum]].
  • ''Raja Balwant Singh of Jasrota examining a painting with Nainsukh'' by [[Nainsukh]]. [[Jasrota]], 1745–1750. Rietberg Museum.
  • ''Rama Bestows His Possessions on the Brahmins, His Friends, and Servants'', Folio from the "Shangri" Ramayana. Attributed to First Bahu Master, c. 1680–1695. [[Los Angeles County Museum of Art]].
  • ''[[Ravana]], overwhelmed by grief on hearing of his son's death, sends out more forces against [[Rama]]'' by [[Sahibdin]], Folio from the Mewar [[Ramayana]]. Arranged in old horizontal ''pothī'' format, a full-page picture on one side of folio and accompanying text on the reverse, this painting follow Indian tradition of illustration of several connected incidents from a story in the same picture in continuous narration. Here we first see Ravana overwhelmed by grief on hearing of his last remaining son's death. Then furious with rage, he rushes with his upraised sword at [[Sita]], who calmly awaits her fate seated in her grove, but he is restrained by his minister Suparsva. In order to intimidate [[Rama]] for his own going forth on the morrow, he decides to send out his army yet again to the accompaniment of war-drums and trumpets being beaten and blown, while his own bow is made ready. Mewar, 1652. [[British Library]].
  • Deogarh]], 1806. Metropolitan Museum of Art.
  • Bandralta]]-[[Mankot]] workshop, c. 1700. [[Government Museum and Art Gallery, Chandigarh]].
  • ''Vilaval Ragini'', folio from the [[Chunar Ragamala]], dated February 24, 1591. [[Bharat Kala Bhavan]].
  • Garhwal]], c. 1780–1790. [[Museum of Fine Arts, Boston]].
  • ''The Dying Inayat Khan'' by [[Balchand]]. [[Agra]], 1618. [[Bodleian Library]].
  • ''Wedding of Krishna's Parents'', Folio from a Bhagavata Purana series. Ascribed to a Master of the first generation after Manaku and Nainsukh. Guler, c. 1770. Museum Rietberg.
  • language = en}}</ref> [[Malwa]], Mid 17th century. [[National Museum, New Delhi]].
ART STYLE THAT EVOLVED IN THE COURTS OF RAJPUTANA IN INDIA
Rajput Painting; Rajasthani Painting; Rajput miniature painting; Rajastani painting; Mewar painting; Rajasthani miniature painting; Rajasthani painting; Rajput painter; Kishangarh painting
Rajput painting, also called Rajasthan painting, evolved and flourished in the royal courts of Rajputana in northern India, mainly during the 17th century. Artists trained in the tradition of the Mughal miniature were dispersed from the imperial Mughal court, and developed styles also drawing from local traditions of painting, especially those illustrating the Hindu religious epics, the Mahabharata and Ramayana.
https://en.wikipedia.org/wiki/Rajput_painting

Βικιπαίδεια

Religious art

Religious art is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices. According to one set of definitions, artworks that are inspired by religion but are not considered traditionally sacred remain under the umbrella term of religious art, but not sacred art.

Other terms often used for art of various religions are cult image, usually for the main image in a place of worship, icon in its more general sense (not restricted to Eastern Orthodox images), and "devotional image" usually meaning a smaller image for private prayer or worship. Images can often be divided into "iconic images", just showing one or more figures, and "narrative images" showing moments from an episode or story involving sacred figures.

The use of images has been controversial in many religions. The term for such opposition is aniconism, with iconoclasm being the deliberate destruction of images by people of the same religion.

https://en.wikipedia.org/wiki/Religious art
Παραδείγματα από το σώμα κειμένου για religious painting
1. The 17th century religious painting is believed to have been stolen from a church on Myconos.
2. He had votive offerings, which had been stolen with the religious painting, in his possession.
3. Police found in the man’s possession votive offerings which had been stolen along with the religious painting that measures 40 by 50 centimeters.
4. A priceless 700–year–old icon was stolen yesterday from a cliff–side monastery in the eastern Peloponnese, prompting the police to launch an air and land search for the religious painting which many worshippers believe can work miracles.
5. Ask art galleries: they now have to write the story of every religious painting on the label as people no longer know what "agony in the garden", "deposition", "transfiguration" or "ascension" mean.
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